Travel
Versatile Fujifilm film simulation recipes for travel — one or two looks that hold up across streets, food, landscapes and people, straight out of camera.
The travel problem isn’t finding a recipe — it’s not wanting to change settings forty times a day. You’re moving fast through wildly different scenes: a market, a temple, a meal, a skyline, a face. The right travel recipe is versatile: one look that holds across all of it so your trip comes back as a coherent set, not a grab-bag.
How to think about travel recipes
Pick for consistency, not for one perfect scene. A balanced base — Classic Chrome for restraint, Classic Negative for warmth — survives changing light better than a specialised look. Favour a fixed white balance so a day’s photos share a temperature instead of lurching warm and cool shot to shot.
A common kit: one warm, gentle everyday recipe for streets, food and people, plus one punchier recipe for the landscapes and architecture you’ll actually slow down for. Two looks cover almost any trip — and tagging them by destination later turns your library into a travel diary.
Recipes for Travel
22 entries
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Emulates Tri-X 400 push-processed for street
Acros Street: Documentary Black & White
A punchy Acros recipe built for street work — deep blacks, visible grain, and enough highlight headroom to keep shop windows and bright signs from clipping.
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Emulates Classic Chrome editorial / overcast documentary
Overcast Moody
A muted, slightly cool Classic Chrome recipe built for overcast city days — deep shadows, restrained colour, and the documentary weight grey light deserves.
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Emulates Eterna cinema stock under flat daylight
Eterna Overcast
A soft cinematic Eterna recipe for overcast and lightly rainy days — lifted shadows, low saturation, and a cool cast for wet streets and muted architecture.
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Emulates Kodachrome 64
Kodachrome 64
A punchy Classic Chrome recipe emulating Kodachrome 64 — rich reds, deep blues, crisp contrast and the timeless National Geographic daylight look.
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Emulates Fujifilm Superia X-Tra 400
Superia X-Tra 400
A Classic Negative recipe emulating Fujifilm Superia X-Tra 400: cool teal-leaning greens, magenta-tinged shadows and honest everyday grain for a composed family-album look.
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Emulates Kodak Ektachrome E100
Kodak Ektachrome E100
A clean, cool-neutral Provia recipe emulating Kodak Ektachrome E100: precise blues, tight contrast, delicate highlight roll-off for daylight travel and editorial landscapes.
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Emulates Kodak Portra 400
Kodak Portra 400
A warm, gentle Classic Negative recipe that emulates Kodak Portra 400 — soft contrast, honest skin tones, and a golden lean for portraits and travel.
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Emulates Kodak Gold 200
Kodak Gold 200
A warm, lightly grainy Kodak Gold 200 emulation built on Classic Negative — friendly skin, golden afternoon light, and saturated blue skies.
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Emulates Kodak Ektar 100
Kodak Ektar 100
A crisp, nearly grainless travel and landscape look emulating Kodak Ektar 100 — Velvia dialed back with Color −2 and a warm +2 Red shift.
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Emulates Kodak Ultramax 400
Kodak Ultramax 400
A warm, friendly Classic Negative recipe emulating Kodak Ultramax 400: soft skin, visible grain, and that everyday consumer-film glow.
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Honest Daylight Provia
A restrained Provia recipe for accurate-but-warm everyday color: believable skies, neutral skin, and a gentle +1 Red shift that keeps daylight true to memory.
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Emulates Reala Ace (mixed-light cinematic interpretation)
Reala Ace Mixed Light
A restrained, cinematic Reala Ace recipe built for the situations where Portra is too daylight-warm and Classic Chrome is too contrasty — mixed indoor/outdoor afternoon light. X-Trans V exclusive.
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Emulates Fujifilm Velvia 50 slide film
Velvia Vivid Landscape
A punchy Velvia landscape recipe with DR400, +1 Color and Color Chrome Effect Strong for saturated foliage and rich clear skies at golden hour.
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Emulates Agfa Vista 200
Agfa Vista 200
A red-forward, punchy Classic Negative recipe that recreates the cult UK drugstore look of Agfa Vista 200: warm saturation, crisp contrast, crunchy grain.
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Emulates CineStill 50D
CineStill 50D
A clean, luminous Eterna recipe emulating CineStill 50D: near-grainless, airy highlights and delicate warm-neutral colour for golden-hour fine-art work.
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Emulates Fujicolor C200
Fujicolor C200
Fuji's honest budget negative: cool, clean greens with a slight cyan lean, neutral skin and fine grain, built on Classic Negative with a cool WB shift.
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Emulates Harman Phoenix 200
Harman Phoenix 200
An anti-Portra Eterna Bleach Bypass recipe chasing Harman Phoenix 200: high contrast, red-leaning halation, teal shadows and coarse Strong grain.
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Emulates Kodak T-Max 400
Kodak T-Max 400
A clean, fine-grained ACROS recipe emulating Kodak T-Max 400: cooler tonality, precise mid-greys and high edge sharpness for a technical documentary black-and-white look.
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Emulates Kodak Vision3 250D (5207)
Kodak Vision3 250D
A clean, halation-free Eterna recipe emulating Kodak Vision3 250D (5207): soft daylight contrast, huge highlight latitude, neutral-warm skin and muted-but-alive colour.
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Emulates Polaroid 600 instant film
Polaroid 600
A faded Polaroid 600 look for Fujifilm: milky lifted blacks, washed pastel colour and very soft detail built on Nostalgic Negative.
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Emulates Fujifilm Provia 100F
Provia 100F
A crisp Provia recipe tuned to the real Provia 100F slide film: true slide contrast, clean cool-neutral colour, and deep grainless primaries.
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Emulates Fujifilm Velvia 50 (RVP 50)
Velvia 50
A slide-accurate Velvia 50 recipe: maximum colour density, inky shadows and cool-magenta blues on the Velvia base — meter carefully or lose the frame.